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Welcome to Ministry of Sound on You Tube, the home of dance music! From bedroom producers to international hitmakers, official videos from the biggest artists, curated playlists from our favourite DJs to the hottest compilations across all genres.

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Trap music is a music genre that originated in the early 1990s in the Southern United States.[1][2] It is typified by its aggressive lyrical content and sound, where the instrumentals are propelled by 808 kick drums or heavy extended sub-bass lines, double-time, triple-time and other faster time division hi-hats,[3] layered synthesizers, and "cinematic" strings.[4][5]

In 2012, a new movement of electronic music producers and DJs emerged who began incorporating elements of trap music into their works.[6]

Trap music incorporates an extensive use of multi-layered hard-lined and melodic synthesizers; crisp, grimy and rhythmic snares; deep 808 sub-bass kick drums or heavy sub-bass lines; double-time, triple-time and similarly divided hi-hats; and a cinematic and symphonic utilization of string, brass and keyboard instruments creating an overall dark, harsh, grim and bleak background feeling for the listener.[4][5][7][8] These primary characteristics would go on to be the signature sound and feeling of trap music originating from producer Shawty Redd. The speed of a typical trap beat has a BPM of 140.[9]

Trap music is also defined by its bleak, gritty and belligerent lyrical content, ominous characteristics which vary widely with the hip hop artist but typical lyrical themes include observations of street life, poverty, violence, and hardship in the "trap" and harsh experiences urban surroundings that the rapper is trying to lyrically portray to the listener.[8]

he term "trap" was literally used to refer to the place where drug deals are made and how it is difficult to escape the lifestyle. The term originated in Atlanta, Georgia where rappers Cool Breeze, Dungeon Family, Outkast, Goodie Mob and Ghetto Mafia were some of the first to use the term in their music. Fans and critics started to refer to rappers whose primary lyrical topic was drug dealing, as "trap rappers."[4] David Drake of Complex wrote that "the trap in the early 2000s wasn't a genre, it was a real place", and the term was later adopted to describe the "music made about that place."[10]

In the early 1990s, rappers UGK, 8Ball & MJG, Three 6 Mafia, Cool Breeze, Kilo Ali, Master P, and Ghetto Mafia were among the first rappers to introduce trap music. In 1992, UGK's "Pocket Full of Stones" was one of the earliest trap records to be released from their major-label debut album Too Hard to Swallow. It was also featured in the 1993 film Menace II Society. In 1996, Master P released his single "Mr. Ice Cream Man" off his fifth studio album Ice Cream Man. The lyrics covered topics about life in "the trap", drug dealing and the struggle for success.[5] Local Southern rappers, such as Young Jeezy, Gucci Mane, Yo Gotti and T.I., as well as his rap group P$C, helped expand the popularity of the genre and trap records started to appear on local mixtapes and radio stations.[2]

During the 2000s, trap began to emerge after the success of a number of albums and singles released at the time. In 2003, the first wave of trap music broke into mainstream with the release of T.I.'s second studio album Trap Muzik. It achieved major commercial success, selling over 2.1 million copies. The album's lead single, "24's", was featured on EA's popular video game Need for Speed: Underground. T.I. explained that "It's informative for people who don't know nothing about that side of life and wonder why somebody they know that live on that side of life act the way they do or do the things they do." In 2005, the first wave continued with the success of Young Jeezy's Let's Get It: Thug Motivation 101.[1] The album debuted at number two on the US Billboard 200, with 172,000 copies sold in its first week of release and was later certified platinum by the Recording Industry Association of America (RIAA) for shipment of over 1 million copies. The album also popularized producer Shawty Redd after creating the original signature trap sound. Some of the first wave of trap producers include DJ Toomp, Fatboi, Drumma Boy, Shawty Redd, D. Rich and Zaytoven.[10]

In 2010, trap continued to gain momentum and reached mainstream hip-hop charts across the United States.[2] Trap producer Lex Luger broke out of relative obscurity, gained huge popularity, and went on to produce more than 200 songs between 2010 and 2011, including a number of popular artists' singles, such as Rick Ross' "B.M.F. (Blowin' Money Fast)", Kanye West and Jay-Z's "H•A•M", and Waka Flocka Flame's "Hard in da Paint"